On view August 19 – October 21
September 12, 5:00 – 7:00 pm – Opening Reception
My photographic practice is focused and disciplined on Baltimore’s architecture, which is informed by my evidence-based research by years of studying the complicated and multi-faceted history of this city. My intuition and curiosity have brought me to understand how Baltimore became the unique place we live in today. This obsessive collection of mapping, archiving, and memorializing Baltimore began 11 years ago while I was a graduate student at the Maryland Institute College of Art.
My graduate thesis was encapsulated in the form of a self published book titled, Old Town, East Baltimore, which specifically focused on the failed urban renewal project in East Baltimore known as Old Town Mall, formerly Gay Street. The failure of this project left the area a desolate two block pedestrian mall. By photographing each of the buildings in the mall, I essentially created a historical document of what is left of the neighborhood after decades of decline. In addition to my archival research, it was important to me that I speak with life-long residents and business owners in order to fully understand the mall’s visceral history, providing an opportunity to learn what hopes the residents placed in its renewal. I view this field-based outreach as an integral part of my work as I hope for my photographs to become a catalyst for communication between the diverse and many times divided communities of Baltimore.
Since 2011, I’ve independently expanded my work into a larger project entitled, Baltimore: A History, Block by Block, photographing ten main streets in Baltimore and over 100 city blocks to date including: Howard Street, Eutaw Street, Baltimore Street, Lexington Street, Fayette Street, East Monument Street, Pennsylvania Avenue, Greenmount Avenue, North Avenue, and Broadway. By tactfully utilizing a 4×5 view camera and Fujichrome Velvia slide film, I aim to heighten the conceptual notion of my work in supplementing my commentary, melancholic nostalgia, romanticization, and ramification of the obsolete. The combination of bright, warm sunlight light and the saturated color of the slide film provides an intimate experience for a kind of momentary time-travel to see a glimpse of what these buildings and neighborhoods once were and could be.
The long-term goal is to publish a series of books along with several exhibitions, ideally in the neighborhoods I’ve been photographing. My goal is to also create a comprehensive, open source digital archive where all of the photographs and research can be accessible and available to the public for free for the future generation.
Through this project I aim to leave the audience not only with a sense of the condition of our city, but also a feeling of urgency to see that it is preserved and improved, and that the rich history behind the architecture and the community is not lost, but rather embraced.
About the Artist
James Singewald is a photographer and archivist currently documenting Baltimore’s architecture and researching its history. Prior to Baltimore, he spent ten years living in Philadelphia photographing neighborhoods and industrial spaces prior to the rapid redevelopment and gentrification that has changed many parts of the city in the past ten years or more. He received his BFA from The University of the Arts in 2002 and his MFA from Maryland Institute College of Art in 2010. His work has been featured in various solo and group exhibitions at galleries and institutions including The Peale Center (Baltimore, MD), Maryland Art Place (Baltimore, MD), Full Circle Gallery (Baltimore, MD), Maryland Historical Society (Baltimore, MD), Pixilated Federal Hill, (Baltimore, MD), Jordan Faye Contemporary (Baltimore, MD), Washington Project for the Arts (Washington, D.C.), Gallery CA (Baltimore, MD), The University of the Arts (Philadelphia, PA), Maryland Institute College of Art (Baltimore, MD), and the Reginald F. Lewis Museum (Baltimore, MD). James has also presented his work at institutions including Johns Hopkins University and Loyola University. In 2010 he self-published his first book titled, Old Town, East Baltimore, and his work has been highlighted in publications including Juxtapoz Magazine, The Baltimore Sun, Baltimore City Paper, and Urbanite Magazine. When he is not working on personal projects, James works as a Digital Imaging Specialist at Full Circle Fine Art Services in Baltimore. He also exhibits his photography at various art fairs in cities including Baltimore, Philadelphia, New York, and Washington, D.C.